KameManNen|カメマンネン

THE LIFE HOW I SEE

VOL.5

Kosuke Fujisawa

Art Director

I currently work as an art director, focusing primarily on branding. What first drew me toward becoming a designer was my love of fashion and music. I was fascinated by the glamorous world of creating CD covers and fashion catalogues. I spent seven or eight years doing that kind of work. I found it exciting, and I believe it was reasonably well received. Over time, however, I began to feel that what I created was simply being consumed. No sooner had I made something new than the next new thing was expected. What looked cool today would feel dated the following week. It felt as though everything I made was being used up, one piece after another. I followed trends, worked with the creators of the moment, and continually brought clients the latest information. I had effectively become a medium for carrying what was cutting-edge.

Of course, I am not dismissing that kind of work. But I began to ask myself, ‘Couldn’t anyone do this?’ and ‘Is there any real meaning in my being the one to do it?’ Instead, I wanted to work with things I genuinely believed were good, and with the people making them, even if they had not yet received much attention from the wider world. I wanted to use the design skills I had developed to shine a light on the appeal of those people, companies and products.

At the time, I did not even fully understand that what I was moving toward was called ‘branding’. Perhaps I was simply heading there by instinct. From that point on, I read everything I could, studied the work of those ahead of me, and spent about ten years going through my own process of trial and error. That is how I arrived at the style I have today. If you ask me what branding ultimately means, my answer is: ‘grit, guts and vibes.’ There is no shortcut that beats putting in the steady work.

I grew up in the United States, so for a long time I never had a place I could truly call my hometown. Now, after living in Sangenjaya for around fifteen years, I think of this neighbourhood as home. That is also why I established the office of my company, Mr., here in Sangenjaya. I live here, I go out for drinks here, I work here, and I create here. To me, that is a form of richness. Because there is no clear on-and-off switch between my work and my life, spending both in a neighbourhood I love makes life itself feel fuller and more intense. I also see that as part of the branding of Mr., helping the company generate a positive vibration.

In my work as well, branding is less about selling things than it is about creating value and meaning. When I receive a commission, I place importance on feeling first, rather than looking first. I believe the world contains both what can be seen and what cannot. I try to sense the other person’s feelings and the reasons a project came into being, even before they have taken shape as numbers or words. To me, being a creator is closer to a way of life than a profession. Even when I am not working, I move through life continually sensing something. First, feel. Feel, feel, feel, and only then look. It is not until the point of delivery that I step back and objectively check whether what I felt was merely self-indulgent, or whether it has taken a form that can truly reach the other person. For me, ‘looking’ means viewing what I have created objectively.
No.99(TSH) / No.9502(TS) / No.1233 SG(MBK/BK)
No.99(TSH)
No.9502(TS)
No.1233 SG(MBK/BK)
I began making collages around the same time that I shifted the focus of my work toward branding. During the day, I designed for clients. At night, I made things that I could love entirely, without compromise. Collage was something I began in order to preserve the purity of my own sensibility while working in a world where creative work is constantly consumed. When I look for themes and materials, I turn to my own past. I believe the things I truly love can be found there. What did I admire when I was younger? What absorbed me completely? The deeper I dig into my past, the more I can create things that reflect what I love in its purest form today. Whenever I cut out and combine different elements, meanings emerge that I never intended. In fact, that is the point. I take what already exists, break it apart completely, and build it again. I feel a tremendous sense of achievement in the moment when a new meaning or balance appears from that process.

Today, I feel that people may be looking a little too much. The number of likes on social media, sales figures, share prices, price tags. Increasingly, we judge whether something is good or bad only by the numbers we can see. Bruce Lee said, ‘Don’t think, feel.’ In my case, it is ‘Don’t look, feel.’ First, feel. Then look in order to confirm whether what you felt is real. If you begin by looking, the answer can become fixed at that very moment, and I think that is a missed opportunity. To practise this, you first need the courage not to look, the confidence that what you feel may be right, and the experience that comes from encountering many situations. Only then can ‘not looking’ become something you can truly put into practice. The scent of spring, the shadows of leaves moving beneath a tree, the sound of the wind, the smell that tells you there is a river nearby. I like taking those things in through all five senses first, following them, and then discovering that something really was there. In the end, I do not think we see with our eyes alone.